{"id":933,"date":"2025-05-20T23:57:57","date_gmt":"2025-05-20T21:57:57","guid":{"rendered":"https:\/\/cinephilecannes.fr\/Blog\/?p=933"},"modified":"2025-05-20T23:59:05","modified_gmt":"2025-05-20T21:59:05","slug":"courts-metrages-2-en-competition-de-la-semaine-de-la-critique","status":"publish","type":"post","link":"https:\/\/cinephilecannes.fr\/Blog\/2025\/05\/20\/courts-metrages-2-en-competition-de-la-semaine-de-la-critique\/","title":{"rendered":"Courts M\u00e9trages 2 en comp\u00e9tition de la Semaine de la Critique"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Courts M\u00e9trages 2 en comp\u00e9tition de la Semaine de la Critique<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Vu le 20 mai 2025 \u00e0 14h45<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Les synopsis ci-dessous sont recopi\u00e9s \u00e0 partir du programme de la Semaine de la Critique.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Critical Condition de Mila Zhluktenko<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Pays d\u2019origine de la r\u00e9alisatrice : Ukraine<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dur\u00e9e = 24\u2019<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Inspir\u00e9 de la vie de Lev Rebet, \u00e9crivain et r\u00e9dacteur en chef du jounal d&rsquo;exil Ukrainian<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Independist bas\u00e9 \u00e0 Munich, Critical Condition d\u00e9peint le destin de la diaspora ukrainienne d&rsquo;hier et d&rsquo;aujourd&rsquo;hui.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Film tourn\u00e9 en 16mm.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Un \u00e9quipe de r\u00e9daction d\u2019un journal ukrainien se bat pour sa survie.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Note = 14\/20<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Samba Infinito \/ Samba Infinie de Leonardo Martinelli<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Pays d\u2019origine du r\u00e9alisateur : Br\u00e9sil<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dur\u00e9e = 15\u2019<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pendant le Carnaval de Rio, un agent de propret\u00e9 de la voirie est confront\u00e9 au deuil de sa s\u0153ur tout en assumant ses obligations professionnelles. Au milieu des festivit\u00e9s, il trouve un enfant \u00e9gar\u00e9 qu\u2019il d\u00e9cide d\u2019aider.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Deux \u00eatres que la solitude am\u00e8ne \u00e0 se comprendre.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ma note = 13\/20<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Erogenesis de Xandra Popescu<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Pays d\u2019origine de la r\u00e9alisatrice : Roumanie<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dur\u00e9e = 15\u2019<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00c0 la suite d\u2019un myst\u00e9rieux d\u00e9sastre, les rares humains survivants se retrouvent incapables de perp\u00e9tuer l\u2019esp\u00e8ce. Tout espoir repose sur cinq femmes qui ont mis au point une technologie capable de cr\u00e9er la vie humaine en dehors du corps. Mais les chercheurs ne parviennent pas \u00e0 s\u2019entendre sur le bien-fond\u00e9 et les modalit\u00e9s de son d\u00e9ploiement. Faute de consensus, elles se plongent \u00e0 corps perdu dans l\u2019\u00e9tude du plaisir.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Des scientifiques inventent l\u2019ut\u00e9rus artificiel. La reproduction n\u2019est plus un objectif structurant la vie humaine. Les hommes s\u2019occupent \u00e0 la culture physique, les femmes aux plaisirs \u00e9rotiques.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Fiction radicale f\u00e9ministe.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ma note =15\/20<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">An-Gyeong \/ Glasses de Joung Yumi<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Pays d\u2019origine du r\u00e9alisateur : Cor\u00e9e du Sud<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dur\u00e9e = 15\u2019<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Yujin casse ses lunettes et se rend chez un opticien. Pendant l\u2019examen de vue, elle voit une maison dans un champ et s\u2019y retrouve transport\u00e9e. \u00c0 l\u2019int\u00e9rieur, elle y rencontre trois ombres d\u2019elle m\u00eame, se r\u00e9concilie avec elles, et change de point de vue. Elle quitte alors la maison et re\u00e7oit de nouvelles lunettes.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Hypnotique. Animation en noir et blanc<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">De nouvelles paires de lunettes, un nouveau regard sur le monde\u2026<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ma note = 14\/20<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Donne Batterie \/ Free Drum Kit de Carmen Leroi<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Pays d\u2019origine de la r\u00e9alisatrice : France<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dur\u00e9e = 25\u2019<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lila accueille chez elle son amie Agathe qui vient vivre en colocation avec elle. Lila doit aussi se d\u00e9barrasser d&rsquo;une encombrante batterie laiss\u00e9e par son ex. La vendre ou la donner, la donner \u00e0 qui et comment ? Agathe et Lila en d\u00e9battent. Lila d\u00e9cide de faire un geste g\u00e9n\u00e9reux en la donnant sur une plateforme en ligne mais ce don l&rsquo;am\u00e8ne vers des aventures qu&rsquo;elle n&rsquo;aurait pas soup\u00e7onn\u00e9es.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Com\u00e9die morale, absurde et jubilatoire. Remarquablement bien ficel\u00e9e.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ma note = 17\/20<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Courts M\u00e9trages 2 en comp\u00e9tition de la Semaine de la Critique Vu le 20 mai 2025 \u00e0 14h45 Les synopsis ci-dessous sont recopi\u00e9s \u00e0 partir du programme de la Semaine de la Critique. Critical Condition de Mila Zhluktenko Pays d\u2019origine de la r\u00e9alisatrice : Ukraine Dur\u00e9e = 24\u2019 Inspir\u00e9 de la vie de Lev Rebet, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":703,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"on","ocean_gallery_id":[],"footnotes":""},"categories":[12,17],"tags":[],"class_list":["post-933","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-courts-metrages","category-semaine-de-la-critique-films","entry","has-media"],"_links":{"self":[{"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/posts\/933","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/comments?post=933"}],"version-history":[{"count":2,"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/posts\/933\/revisions"}],"predecessor-version":[{"id":935,"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/posts\/933\/revisions\/935"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/media\/703"}],"wp:attachment":[{"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/media?parent=933"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/categories?post=933"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/tags?post=933"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}