Courts-M\u00e9trages de la Semaine de la Critique, S\u00e9ance sp\u00e9ciale<\/p>\n\n\n\n
Vu le 18 mai 2025 \u00e0 16h00<\/p>\n\n\n\n
(France)<\/p>\n\n\n\n
Dur\u00e9e = 15\u2032<\/p>\n\n\n\n
Sans dialogue<\/p>\n\n\n\n
Un gar\u00e7on, une fille sans doute fr\u00e8re et s\u0153ur tant il se ressemblent s\u2019enfuient dans la for\u00eat. Sans doute une fugue? Je serais incapable d\u2019en dire plus.<\/p>\n\n\n\n
Belle technique d\u2019animation accompagn\u00e9e d\u2019une superbe bande sonore adapt\u00e9e aux circonstances.<\/p>\n\n\n\n
Ma note \u200e\u2009=\u200914\/20<\/p>\n\n\n\n
de Lili Koss<\/p>\n\n\n\n
(Bulgarie)<\/p>\n\n\n\n
Dur\u00e9e = 19\u2032<\/p>\n\n\n\n
Au c\u0153ur d\u2019un \u00e9t\u00e9 languissant et moite de la fin des ann\u00e9es 90, quelque part en Europe de l\u2019Est, Ro, 12 ans, part en qu\u00eate d\u2019une copie pirat\u00e9e d\u2019Eraserhead de David Lynch. Ce voyage initiatique, rythm\u00e9 par des cigarettes d\u00e9rob\u00e9es et les petites luttes de pouvoir de l\u2019\u00e9poque VHS, se d\u00e9roule dans un monde o\u00f9 l\u2019enfance s\u2019efface o\u00f9 le cin\u00e9ma est un refuge.<\/p>\n\n\n\n
Po\u00e9tique. Belle photographie. Efficace.<\/p>\n\n\n\n
Ma note = 14.5\/20<\/p>\n\n\n\n
(France)<\/p>\n\n\n\n
Dur\u00e9e = 24\u2032 <\/p>\n\n\n\n
Paris, Jeux Olympiques 2024. Isaac est homme-sandwich. Cl\u00e9o est femme-sandwich. Il n\u2019aime pas les skateurs. Elle vient de rompre avec son copain…<\/p>\n\n\n\n
Guil Sela fait jouer une bande de potes qui manifestement ont plaisir \u00e0 travailler ensemble. Les dialogues sont croustillants. J\u2019ai trouv\u00e9 No Skate! plus r\u00e9ussi que le d\u00e9j\u00e0 tr\u00e8s bon pr\u00e9c\u00e9dent court m\u00e9trage du m\u00eame r\u00e9alisateur, Monsouris<\/em>, qui avait gagn\u00e9 le Grand Prix 2024 \u00e0 la Semaine de la Critique 2025. Qu\u2019attend Guil Sela pour sortir un long m\u00e9trage? Il sait manier toutes les ficelles pour attirer un vaste public.<\/p>\n\n\n\n Ma note \u200e\u2009=\u200918,5\/20<\/p>\n\n\n\n <\/p>\n","protected":false},"excerpt":{"rendered":" Courts-M\u00e9trages de la Semaine de la Critique, S\u00e9ance sp\u00e9ciale Vu le 18 mai 2025 \u00e0 16h00 Une Fugue \/ To the Woods de Agn\u00e8s Patron (France) Dur\u00e9e = 15\u2032 Sans dialogue Un gar\u00e7on, une fille sans doute fr\u00e8re et s\u0153ur tant il se ressemblent s\u2019enfuient dans la for\u00eat. Sans doute une fugue? Je serais incapable […]<\/p>\n","protected":false},"author":1,"featured_media":703,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"on","ocean_gallery_id":[],"footnotes":""},"categories":[12,17],"tags":[],"class_list":["post-882","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-courts-metrages","category-semaine-de-la-critique-films","entry","has-media"],"_links":{"self":[{"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/posts\/882","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/comments?post=882"}],"version-history":[{"count":1,"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/posts\/882\/revisions"}],"predecessor-version":[{"id":883,"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/posts\/882\/revisions\/883"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/media\/703"}],"wp:attachment":[{"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/media?parent=882"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/categories?post=882"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/tags?post=882"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}