S\u00e9lection Officielle, hors comp\u00e9tition, S\u00e9ances de Minuit<\/p>\n\n\n\n
Vu le 17 mai \u00e0 14h00<\/p>\n\n\n\n
Pays d\u2019origine du r\u00e9alisateur : Chine<\/p>\n\n\n\n
Dur\u00e9e = 2h12<\/p>\n\n\n\n
Avec Takeshi Kaneshiro, Sean Lau, Tony Leung Ka Fai, Louis Koo, Gao Yuan Yuan<\/p>\n\n\n\n
Dans un Hong-Kong dystopique, le film commence dans une rue bond\u00e9e de monde, illumin\u00e9e par des n\u00e9ons. Des hommes arm\u00e9s et masqu\u00e9s tirent au hasard. C\u2019est le d\u00e9but d\u2019un ensemble de faits dont la succession n\u2019a rien d\u2019accidentelle. Ils visent \u00e0 la mort du pr\u00e9sident d’un groupe pharmaceutique, \u00e9galement parrain du trafic de drogue, dans l’explosion de l’h\u00f4pital o\u00f9 il est alit\u00e9. Le chaos r\u00e8gne dans la ville, la police est d\u00e9munie mais bien d\u00e9cid\u00e9e \u00e0 stopper l\u2019escalade de violence. Le plus jeune fils, destin\u00e9 \u00e0 prendre la rel\u00e8ve du groupe, voudrait rompre avec le pass\u00e9 sulfureux de son p\u00e8re mais son fr\u00e8re a\u00een\u00e9 ainsi que les partisans de son p\u00e8re d\u00e9c\u00e9d\u00e9 n\u2019entendent pas sacrifier leurs confortables rentes.<\/p>\n\n\n\n
Sons of The Neon Night<\/em> pote \u00e0 l’\u00e9cran l\u2019univers impitoyable d\u2019une famille mafieuse. C\u2019est un thriller \u00e0 l\u2019intrigue complexe (qiu demande \u00e0 rester concentr\u00e9 pour rne rien perdre du fil des \u00e9v\u00e9nements) mais qui utilise efficacement les codes des film d\u2019action asiatiques. Un divertissement de bonne facture assur\u00e9ment, mais qui a fait fuir un nombre inhabituel de festivaliers en cours de projection.<\/p>\n\n\n\n Ma note = 14\/20<\/p>\n\n\n\n <\/p>\n","protected":false},"excerpt":{"rendered":" Feng Lin Huo Shan \/ Sons of The Neon Night de Juno Mak S\u00e9lection Officielle, hors comp\u00e9tition, S\u00e9ances de Minuit Vu le 17 mai \u00e0 14h00 Pays d\u2019origine du r\u00e9alisateur : Chine Dur\u00e9e = 2h12 Avec Takeshi Kaneshiro, Sean Lau, Tony Leung Ka Fai, Louis Koo, Gao Yuan Yuan Dans un Hong-Kong dystopique, le film […]<\/p>\n","protected":false},"author":1,"featured_media":859,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"on","ocean_gallery_id":[],"footnotes":""},"categories":[21],"tags":[],"class_list":["post-858","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-selection-officielle-hors-competition","entry","has-media"],"_links":{"self":[{"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/posts\/858","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/comments?post=858"}],"version-history":[{"count":2,"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/posts\/858\/revisions"}],"predecessor-version":[{"id":861,"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/posts\/858\/revisions\/861"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/media\/859"}],"wp:attachment":[{"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/media?parent=858"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/categories?post=858"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/tags?post=858"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}