{"id":782,"date":"2025-05-15T00:30:17","date_gmt":"2025-05-14T22:30:17","guid":{"rendered":"https:\/\/cinephilecannes.fr\/Blog\/?p=782"},"modified":"2025-05-15T23:50:35","modified_gmt":"2025-05-15T21:50:35","slug":"la-factory-des-cineastes-ceara-brasil-2025","status":"publish","type":"post","link":"https:\/\/cinephilecannes.fr\/Blog\/2025\/05\/15\/la-factory-des-cineastes-ceara-brasil-2025\/","title":{"rendered":"La Factory des Cin\u00e9astes Cear\u00e1-Brasil 2025"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">La Factory des Cin\u00e9astes Cear\u00e1-Brasil 2025<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">S\u00e9lection Quinzaine des Cin\u00e9astes<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vu le 14 mai 2025 \u00e0 11h45<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dur\u00e9e = 1h05<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La Factory vise \u00e0 l\u2019\u00e9mergence de nouveaux talents sur la sc\u00e8ne internationale en permettant \u00e0 des couples de jeunes cin\u00e9astes locaux et internationaux de se rencontrer et de cr\u00e9er ensemble. La projection comporte 4 courts m\u00e9trages co\u00e9crits et cor\u00e9alis\u00e9s par 4 tandems de jeunes cin\u00e9astes du Nord et du Nordeste du Br\u00e9sil, Cuba, Portugal, Isra\u00ebl et France.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Ponto Cego \/ Angle Mort de Luciana Vieira (Br\u00e9sil) &amp; Marcel Beltr\u00e1n (Cuba)<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Marta, ing\u00e9nieure en charge des cam\u00e9ras de surveillance du port de Fortaleza, \u00e9volue dans un milieu o\u00f9 les femmes, souvent r\u00e9duites au silence, travaillent dans l&rsquo;ombre et le m\u00e9pris. Pourtant, Marta a d\u00e9cid\u00e9 de ne pas se taire.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Court m\u00e9trage sur la condition f\u00e9minine au travail, sur fond de superbes images (rares au cin\u00e9ma) d\u2019un environnement portuaire industriel.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ma note = 14\/20<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">A Vaqueira, A Dan\u00e7arina E O Porco \/ La Cowgirl, La Showgirl et le Porc de Stella Carneiro (Br\u00e9sil) &amp; Ary Zara (Portugal)<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Dans un bar \u00e0 h\u00f4tesses, deux femmes (dont une transgenre) n\u2019ont pas le droit de s\u2019aimer mais se rebellent contre les clients et les prox\u00e9n\u00e8tes dans un bain de sang.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Je n\u2019ai pas aim\u00e9 les astuces de r\u00e9alisation, notamment les encha\u00eenements de plans statiques, qui rappellent un clip musical sans musique.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ma note = 12\/20<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Como Ler O Vento de Bernardo Ale Abinader (Br\u00e9sil) &amp; Sharon Hakim (France)<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Cassia, gu\u00e9risseuse traditionnelle, transmet avec patience ses secrets \u00e0 Marjorie, sa disciple. Elle a pour ambition de capturer le vent.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La photographie est magnifiquement travaill\u00e9e. Surr\u00e9aliste et fantastique, c\u2019est un tr\u00e8s bel exercice de cin\u00e9ma.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ma note = 16\/20<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">A Fera Do Mangue \/ La B\u00eate de la Mangrove de Wara (Br\u00e9sil) &amp; Sivan Noam Shimon (Isra\u00ebl)<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Un monstre humain transmet sa descendance. Mais la femme victime r\u00e9agit en se m\u00e9tamorphosant en une cr\u00e9ature myst\u00e9rieuse qui tue son agresseur. Elle se lance \u00e0 travers les eaux de la mangrove&#8230;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sans doute inspir\u00e9 des l\u00e9gendes amazoniennes? L&rsquo;atmosph\u00e8re fantasmagorique est rythm\u00e9e par une bande-son r\u00e9p\u00e9titive. Les effets sp\u00e9ciaux, bien que r\u00e9alis\u00e9s avec peu de moyens, sont remarquables.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ma note = 15\/20<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La Factory des Cin\u00e9astes Cear\u00e1-Brasil 2025 S\u00e9lection Quinzaine des Cin\u00e9astes Vu le 14 mai 2025 \u00e0 11h45 Dur\u00e9e = 1h05 La Factory vise \u00e0 l\u2019\u00e9mergence de nouveaux talents sur la sc\u00e8ne internationale en permettant \u00e0 des couples de jeunes cin\u00e9astes locaux et internationaux de se rencontrer et de cr\u00e9er ensemble. La projection comporte 4 courts [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":783,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"on","ocean_gallery_id":[],"footnotes":""},"categories":[12,16],"tags":[],"class_list":["post-782","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-courts-metrages","category-quinzaine-des-cineastes-films","entry","has-media"],"_links":{"self":[{"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/posts\/782","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/comments?post=782"}],"version-history":[{"count":2,"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/posts\/782\/revisions"}],"predecessor-version":[{"id":816,"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/posts\/782\/revisions\/816"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/media\/783"}],"wp:attachment":[{"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/media?parent=782"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/categories?post=782"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/tags?post=782"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}