{"id":659,"date":"2024-05-27T19:23:51","date_gmt":"2024-05-27T17:23:51","guid":{"rendered":"https:\/\/cinephilecannes.fr\/Blog\/?p=659"},"modified":"2025-04-27T17:39:47","modified_gmt":"2025-04-27T15:39:47","slug":"tous-les-prix-de-cannes2023-les-officiels-et-les-non-officiels-2","status":"publish","type":"post","link":"https:\/\/cinephilecannes.fr\/Blog\/2024\/05\/27\/tous-les-prix-de-cannes2023-les-officiels-et-les-non-officiels-2\/","title":{"rendered":"Tous les prix de #Cannes2024, les officiels et les non-officiels"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<h2 class=\"wp-block-heading\">Prix de la s\u00e9lection officielle en comp\u00e9tition<\/h2>\n\n\n\n<h4 class=\"wp-block-heading\">Longs m\u00e9trages<\/h4>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Palme d&rsquo;Or<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/cinephilecannes.fr\/Blog\/2024\/05\/26\/anora-de-sean-baker\/\"><em>Anora<\/em><\/a> de Sean Baker<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Grand Prix<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>All we Imagine as Light<\/em> de Payal Kapadia<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Prix du Jury<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Emilia P\u00e9rez<\/em> de Jacques Audiard<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Prix de la mise en sc\u00e8ne<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Miguel Gomes pour <em>Grand Tour<\/em><\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Prix Sp\u00e9cial<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Mohammad Rasoulof pour <em>The Seed of The Sacred Fig<\/em><\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Prix d\u2019interpr\u00e9tation Masculine<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Jesse Plemons dans <em>Kinds of Kindness<\/em> de Yorgos Lanthimos<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Prix d\u2019interpr\u00e9tation F\u00e9minine<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Adriana Paz, Zoe Salda\u00f1a, Karla Sof\u00eda Gasc\u00f3n, Selena Gomez dans <em>Emilia P\u00e9rez<\/em> de Jacques Audiard<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Prix du Sc\u00e9nario<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Coralie Fargeat pour <a href=\"https:\/\/cinephilecannes.fr\/Blog\/2024\/05\/25\/the-substance-de-coralie-fargeat\/\"><em>The Substance<\/em><\/a> de Coralie Fargeat<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Prix des Cin\u00e9mas Art et Essai (AFCAE)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>The Seed Of The Sacred Fig <\/em>de Mohammad Rasoulof<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Mention sp\u00e9ciale AFCAE<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>All we Imagine as Light<\/em> de Payal Kapadia<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Prix de la Citoyennet\u00e9<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Bird<\/em> d&rsquo;Andrea Arnold<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Prix du Cin\u00e9ma Positif<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/cinephilecannes.fr\/Blog\/2024\/05\/25\/la-plus-precieuse-des-marchandises-de-michel-hazanavicius\/\"><em>La Plus Pr\u00e9cieuse des Marchandises<\/em><\/a> de Michel Hazanavicius<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Prix CST de la Jeune Technicienne de Cin\u00e9ma<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Evgenia Alexandrova, Cheffe Op\u00e9ratrice Image du film <em>Les Femmes Au Balcon<\/em> de No\u00e9mie Merlant<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Prix CST de l&rsquo;artiste-technicien<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Daria D\u2019antonio, Cheffe Op\u00e9ratrice Image du Film <a href=\"https:\/\/cinephilecannes.fr\/Blog\/2024\/05\/23\/parthenope-de-paolo-sorrentino\/\"><em>Parthenope<\/em><\/a> de Paolo Sorrentino<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Prix Cannes Soundrack de la meilleure musique originale,<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Disque d\u2019Or<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Les deux compositeurs Camille and Cl\u00e9ment Ducol pour <em>Emilia P\u00e9rez<\/em> de Jacques Audiard<\/li>\n<\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img fetchpriority=\"high\" decoding=\"async\" width=\"980\" height=\"695\" src=\"https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/logo-competition-officielle.jpg\" alt=\"\" class=\"wp-image-670\" srcset=\"https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/logo-competition-officielle.jpg 980w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/logo-competition-officielle-300x213.jpg 300w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/logo-competition-officielle-150x106.jpg 150w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/logo-competition-officielle-768x545.jpg 768w\" sizes=\"(max-width: 980px) 100vw, 980px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h4 class=\"wp-block-heading\">Courts m\u00e9trages<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Palme d&rsquo;Or du court m\u00e9trage<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em><a href=\"https:\/\/cinephilecannes.fr\/Blog\/2024\/05\/24\/courts-metrages-de-la-selection-officielle-en-competition\/\">The Man Who Could Not Remain Silent<\/a><\/em> de Neboj\u0161a Slijep\u010devi\u0107<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Mention Sp\u00e9ciale du court m\u00e9trage<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em><a href=\"https:\/\/cinephilecannes.fr\/Blog\/2024\/05\/24\/courts-metrages-de-la-selection-officielle-en-competition\/\">Bad For A Moment<\/a><\/em> de Daniel Soares<\/li>\n<\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"1002\" src=\"https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/Palme-CM-1024x1002.jpg\" alt=\"\" class=\"wp-image-673\" srcset=\"https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/Palme-CM-1024x1002.jpg 1024w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/Palme-CM-300x294.jpg 300w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/Palme-CM-150x147.jpg 150w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/Palme-CM-768x752.jpg 768w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/Palme-CM.jpg 1267w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Prix de la s\u00e9lection Officielle Un Certain Regard<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Prix Un Certain Regard<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Black Dog<\/em> de Guan Hu<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Prix du Jury<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em><a href=\"https:\/\/cinephilecannes.fr\/Blog\/2024\/05\/23\/lhistoire-de-souleymane-de-boris-lojkine\/\">L\u2019histoire de Souleymane<\/a><\/em> de Boris Lojkine<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Meilleure R\u00e9alisation Ex Aequo<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Roberto Minervini pour <a href=\"https:\/\/cinephilecannes.fr\/Blog\/2024\/05\/17\/the-damned-les-damnes-de-roberto-minervini\/\"><em>The Damned \/ Les Damn\u00e9s<\/em><\/a><\/li>\n\n\n\n<li>Rungano Nyoni pour <em><a href=\"https:\/\/cinephilecannes.fr\/Blog\/2024\/05\/17\/on-becoming-a-guinea-fowl-de-rungano-nyoni\/\">On Becoming A Guinea Fowl<\/a><\/em><\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Meilleure Actrice<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Anasuya Sengupta dans <em>The Shameless <\/em>de Konstantin Bojanov<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Meilleur Acteur<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Abou Sangar\u00e9 dans <em><a href=\"https:\/\/cinephilecannes.fr\/Blog\/2024\/05\/23\/lhistoire-de-souleymane-de-boris-lojkine\/\">L\u2019histoire de Souleymane<\/a><\/em> de Boris Lojkine<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Prix de La Jeunesse<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Vingt Dieux<\/em> de Louise Courvoisier<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Mention Sp\u00e9ciale<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Norah<\/em> de Tawfik Alzaidi<\/li>\n<\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/UCR-1024x682.jpg\" alt=\"\" class=\"wp-image-674\" srcset=\"https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/UCR-1024x682.jpg 1024w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/UCR-300x200.jpg 300w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/UCR-150x100.jpg 150w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/UCR-768x512.jpg 768w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/UCR-1536x1024.jpg 1536w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/UCR.jpg 1949w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Prix de la Semaine de la Critique<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Prix remis par le jury de la Semaine de la Critique&nbsp;:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Grand Prix<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em><a href=\"https:\/\/cinephilecannes.fr\/Blog\/2024\/05\/17\/simon-de-la-montana-simon-of-the-mountain-de-federico-luis\/\">Simon de la Monta\u00f1a \/ Simon of the Mountain<\/a><\/em> de Federico Luis<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Prix French Touch du jury<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em><a href=\"https:\/\/cinephilecannes.fr\/Blog\/2024\/05\/19\/blue-sun-palace-de-constance-tsang\/\">Blue Sun Palace<\/a><\/em> de Constance Tsang<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Prix Fondation Louis Roederer de la R\u00e9v\u00e9lation<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Ricardo Teodoro pour <em><a href=\"https:\/\/cinephilecannes.fr\/Blog\/2024\/05\/21\/baby-de-marcelo-caetano\/\">Baby<\/a><\/em> de Marcelo Caetano<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Prix D\u00e9couverte Leitz Cine du court m\u00e9trage<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em><a href=\"https:\/\/cinephilecannes.fr\/Blog\/2024\/05\/21\/courts-metrages-2-de-la-semaine-de-la-critique\/\">Montsouris \/ Montsouris Park<\/a><\/em> de Guil Sela<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Prix remis par les partenaires de la Semaine de la Critique<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Prix Fondation Gan \u00e0 la Diffusion<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em><a href=\"https:\/\/cinephilecannes.fr\/Blog\/2024\/05\/19\/julie-zwijgt-julie-keeps-quiet-de-leonardo-van-dijl\/\">Julie Zwijgt \/ Julie Keeps Quiet<\/a><\/em> de Leonardo Van Dijl<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Prix SACD<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Leonardo Van Dijl &amp; Ruth Becquart, auteur.rices&nbsp; de <em><a href=\"https:\/\/cinephilecannes.fr\/Blog\/2024\/05\/19\/julie-zwijgt-julie-keeps-quiet-de-leonardo-van-dijl\/\">Julie Zwijgt \/ Julie Keeps Quiet<\/a><\/em> de<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Prix Canal+ du court m\u00e9trage<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/cinephilecannes.fr\/Blog\/2024\/05\/20\/courts-metrages-de-la-semaine-de-la-critique\/\">Noksan \/ Absent<\/a> de Cem Demirer<\/li>\n<\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"927\" src=\"https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/SIC.jpg\" alt=\"\" class=\"wp-image-675\" srcset=\"https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/SIC.jpg 1024w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/SIC-300x272.jpg 300w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/SIC-150x136.jpg 150w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/SIC-768x695.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Prix d\u00e9cern\u00e9s aux films de la Quinzaine des Cin\u00e9astes<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Prix SACD<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Ma vie ma Gueule<\/em> de Sophie Filli\u00e8res<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Prix Label Europa Cinemas<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Septembre Sans Attendre<\/em> de Jon\u00e1s Trueba<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Prix du Public, (d\u00e9cern\u00e9 pour la premi\u00e8re fois en 2024, \u00e0 partir des \u00e9valuations des spectateurs en sortie de s\u00e9ance) :<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Une langue universelle<\/em> de Matthew Rankin<\/li>\n<\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/logo_quinzaine_fr_rvb-1024x576.jpg\" alt=\"\" class=\"wp-image-677\" srcset=\"https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/logo_quinzaine_fr_rvb-1024x576.jpg 1024w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/logo_quinzaine_fr_rvb-300x169.jpg 300w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/logo_quinzaine_fr_rvb-150x84.jpg 150w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/logo_quinzaine_fr_rvb-768x432.jpg 768w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/logo_quinzaine_fr_rvb-1536x864.jpg 1536w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/logo_quinzaine_fr_rvb-2048x1152.jpg 2048w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/logo_quinzaine_fr_rvb-800x450.jpg 800w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Prix destin\u00e9s aux films de toutes les s\u00e9lections :<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Cam\u00e9ra d&rsquo;Or (attribu\u00e9e \u00e0 un premier film)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Armand<\/em> de Halfdan Ullmann T\u00f8ndel<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Mention Sp\u00e9ciale de la Cam\u00e9ra d\u2019Or<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Mongrel<\/em> de Wei Liang Chiang &amp; You Qiao Yin<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Prix du Jury \u0153cum\u00e9nique<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>The Seed of The Sacred Fig de <\/em>Mohammad Rasoulof<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Prix Fran\u00e7ois Chalais<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>The Seed of The Sacred Fig de <\/em>Mohammad Rasoulof<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Prix Fipresci de la critique internationale :<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">* parmi les films en comp\u00e9tition officielle<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>The Seed of The Sacred Fig de <\/em>Mohammad Rasoulof<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">* parmi les films de la s\u00e9lection Un Certain Regard<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/cinephilecannes.fr\/Blog\/2024\/05\/23\/lhistoire-de-souleymane-de-boris-lojkine\/\"><em>L\u2019histoire de Souleymane<\/em><\/a> de Boris Lojkine<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">* parmi les sections parall\u00e8les<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em><a href=\"https:\/\/cinephilecannes.fr\/Blog\/2024\/05\/18\/desert-of-namibia-namibia-no-sabaku-de-yoko-yamanaka\/\">Desert of Namibia \/ Namibia no sabaku<\/a><\/em> de Y\u00f4ko Yamanaka<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Queer Palm du long m\u00e9trage<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em><a href=\"https:\/\/cinephilecannes.fr\/Blog\/2024\/05\/25\/trei-kilometri-pana-la-capatul-lumii-trois-kilometres-jusqua-la-fin-du-monde-de-emanuel-parvu\/\">Trei Kilometri Pana la Capatul Lumii \/ Trois Kilom\u00e8tres Jusqu\u2019\u00e0 la Fin du Monde<\/a><\/em> de Emanuel Parvu<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Queer Palm du court m\u00e9trage<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em><a href=\"https:\/\/cinephilecannes.fr\/Blog\/2024\/05\/19\/courts-metrages-de-la-semaine-de-la-critique-en-seance-speciale\/\">Las novias del Sur \/ Southern Brides \/ Les Fianc\u00e9es du sud<\/a><\/em> de Elena L\u00f3pez Riera<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Prix Ecoprod pour la production la plus \u00e9cosresponsable, ex-aequo<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Le Roman de Jim<\/em>&nbsp;d\u2019Arnaud et Jean-Marie Larrieu<\/li>\n\n\n\n<li><em><a href=\"https:\/\/cinephilecannes.fr\/Blog\/2024\/05\/22\/maria-de-jessica-palus\/\">Maria<\/a><\/em> de Jessica Palus<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Mention sp\u00e9ciale du jury du prix Ecoprod<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em><a href=\"https:\/\/cinephilecannes.fr\/Blog\/2024\/05\/24\/niki-de-celine-sallette\/\">Niki<\/a><\/em> de C\u00e9line Sallette<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Palm Dog<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Kodi, griffon crois\u00e9, dans <em>Le Proc\u00e8s du Chien<\/em> de Laetitia Dosch<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">\u0152il d&rsquo;Or, r\u00e9compensant le meilleur documentaire, ex aequo<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Ernest Cole: Lost and Found<\/em> de Raoul Peck<\/li>\n\n\n\n<li><em><a href=\"https:\/\/cinephilecannes.fr\/Blog\/2024\/05\/17\/rafaat-einy-ll-sama-the-brink-of-dreams-les-filles-du-nil-de-nada-riyadh-ayman-el-amir\/\">Rafaat einy ll sama \/ The Brink of Dreams \/ Les Filles du Nil<\/a><\/em> de Nada Riyadh &amp; Ayman El Amir<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Prix de la meilleure Cr\u00e9ation Sonore<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Armand<\/em> de Halfdan Ullmann T\u00f8ndel<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Mention sp\u00e9ciale du Prix de la meilleure Cr\u00e9ation Sonore<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em><a href=\"https:\/\/cinephilecannes.fr\/Blog\/2024\/05\/22\/flow-de-gints-zilbalodis\/\">Flow<\/a><\/em> de Gints Zilbalodis<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Prix de la Meilleure \u0152uvre Immersive<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Noire<\/em> de Tania de Montaigne, St\u00e9phane Foenkinos, Pierre-Alain Giraud.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">S\u00e9lection de la CINEF<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Premier Prix<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Sunflowers Were The First Ones To Know<\/em> de Chidananda S Naik<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Deuxi\u00e8me Prix ex-aequo<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Out The Window Through The Wall<\/em> de Asya Segalovich<\/li>\n\n\n\n<li><em>The Chaos She Left Behind<\/em> de Nikos Kolioukos<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Troisi\u00e8me Prix<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Bunnyhood<\/em> de Mansi Maheshwari<\/li>\n<\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Prix de la s\u00e9lection officielle en comp\u00e9tition Longs m\u00e9trages Palme d&rsquo;Or Grand Prix Prix du Jury Prix de la mise en sc\u00e8ne Prix Sp\u00e9cial Prix d\u2019interpr\u00e9tation Masculine Prix d\u2019interpr\u00e9tation F\u00e9minine Prix du Sc\u00e9nario Prix des Cin\u00e9mas Art et Essai (AFCAE) Mention sp\u00e9ciale AFCAE Prix de la Citoyennet\u00e9 Prix du Cin\u00e9ma Positif Prix CST de la 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