{"id":1386,"date":"2026-05-25T11:47:50","date_gmt":"2026-05-25T09:47:50","guid":{"rendered":"https:\/\/cinephilecannes.fr\/Blog\/?p=1386"},"modified":"2026-05-25T14:02:10","modified_gmt":"2026-05-25T12:02:10","slug":"tous-les-prix-de-cannes2026-les-officiels-et-les-non-officiels","status":"publish","type":"post","link":"https:\/\/cinephilecannes.fr\/Blog\/2026\/05\/25\/tous-les-prix-de-cannes2026-les-officiels-et-les-non-officiels\/","title":{"rendered":"Tous les prix de #Cannes2026, les officiels et les non-officiels"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Prix de la S\u00e9lection Officielle en comp\u00e9tition<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Longs m\u00e9trages<\/strong><\/h3>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<p class=\"has-medium-font-size wp-block-paragraph\">Palme d&rsquo;Or<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/cinephilecannes.fr\/Blog\/2025\/05\/un-simple-accident-de-jafar-panahi\/\"><\/a><a href=\"https:\/\/cinephilecannes.fr\/Blog\/2026\/05\/24\/fjord-de-cristian-mungiu\/\">Fjord<\/a> de Cristian Mungiu<\/li>\n<\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:30%\">\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"858\" src=\"https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/Palme-1024x858.jpg\" alt=\"\" class=\"wp-image-669\" srcset=\"https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/Palme-1024x858.jpg 1024w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/Palme-300x251.jpg 300w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/Palme-150x126.jpg 150w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/Palme-768x644.jpg 768w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/Palme.jpg 1271w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Grand Prix<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/cinephilecannes.fr\/Blog\/2026\/05\/20\/1291\/\">Minotaur \/ Minotaure<\/a> de Andrey Zvyagintsev<\/li>\n<\/ul>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Prix de la Mise en sc\u00e8ne (ex-aequo)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Javier Calvo, Javier Ambrossi pour <a href=\"https:\/\/cinephilecannes.fr\/Blog\/2026\/05\/24\/la-bola-negra-de-javier-calvo-javier-ambrossi\/\">La Bola Negra<\/a> <\/li>\n\n\n\n<li>Pawe\u0142 Pawlikowski pour <a href=\"https:\/\/cinephilecannes.fr\/Blog\/2026\/05\/16\/fatherland-de-pawel-pawlikowski\/\">Fatherland<\/a> <\/li>\n<\/ul>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Prix du Sc\u00e9nario<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Emmanuel Marre pour <a href=\"https:\/\/cinephilecannes.fr\/Blog\/2026\/05\/24\/notre-salut-a-man-of-his-time-de-emmanuel-marre\/\">Notre Salut \/ A Man of His Time<\/a><\/li>\n<\/ul>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Prix du Jury<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/cinephilecannes.fr\/Blog\/2026\/05\/23\/das-getraumte-abenteuer-the-dreamed-adventure-de-valeska-grisebach\/\">Das Getr\u00e4umte Abenteuer \/ The Dreamed Adventure<\/a>&nbsp;de&nbsp;Valeska Grisebach<\/li>\n<\/ul>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Prix d\u2019Interpr\u00e9tation F\u00e9minine<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Virginie Efira&nbsp;et&nbsp;Tao Okamoto&nbsp;dans&nbsp;<em>Soudain<\/em> de Hamaguchi Ryusuke<\/li>\n<\/ul>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Prix d\u2019interpr\u00e9tation Masculine<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Emmanuel Macchia et Valentin Campagne dans <em>Coward<\/em> de Lukas Dhont<\/li>\n<\/ul>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Prix des Cin\u00e9mas Art et Essai (AFCAE)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/cinephilecannes.fr\/Blog\/2026\/05\/24\/notre-salut-a-man-of-his-time-de-emmanuel-marre\/\">Notre Salut \/ A Man of His Time<\/a>&nbsp;de Emmanuel Marre<\/li>\n<\/ul>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Prix de la Citoyennet\u00e9<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/cinephilecannes.fr\/Blog\/2026\/05\/24\/fjord-de-cristian-mungiu\/\">Fjord<\/a> de Cristian Mungiu<\/li>\n<\/ul>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Prix du Cin\u00e9ma Positif<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Coward<\/em> de Lukas Dhont<\/li>\n<\/ul>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Prix CST de la Jeune Technicienne de Cin\u00e9ma<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Esther Mysius, cheffe d\u00e9coratrice du film <em>Histoires de la Nuit<\/em> de L\u00e9a Mysius<\/li>\n<\/ul>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Prix CST de l&rsquo;artiste-technicien<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Nicolas Rumpl, Chef monteur dans <a href=\"https:\/\/cinephilecannes.fr\/Blog\/2026\/05\/24\/notre-salut-a-man-of-his-time-de-emmanuel-marre\/\">Notre Salut \/ A Man of His Time<\/a>&nbsp;de Emmanuel Marre<\/li>\n<\/ul>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Prix Cannes Soundrack de la meilleure musique originale (ex-aequo)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Alberto Iglesias pour <em>Autofiction<\/em> de Pedro Almodovar ,<\/li>\n\n\n\n<li>Sacha et Evgueni Galperine pour <a href=\"https:\/\/cinephilecannes.fr\/Blog\/2026\/05\/20\/1291\/\">Minotaur \/ Minotaure<\/a> de Andrey Zvyagintsev<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Courts m\u00e9trages<\/strong><\/h3>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<p class=\"has-medium-font-size wp-block-paragraph\">Palme d&rsquo;Or du court m\u00e9trage<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/cinephilecannes.fr\/Blog\/2026\/05\/23\/courts-metrages-de-la-selection-officielle-en-competition-2\/\">Para Los Contrincantes<\/a>, r\u00e9alis\u00e9 par Federico Luis<\/li>\n<\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:30%\"><div class=\"wp-block-image\">\n<figure class=\"alignright size-large\"><img decoding=\"async\" width=\"1024\" height=\"1002\" src=\"https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/Palme-CM-1024x1002.jpg\" alt=\"\" class=\"wp-image-673\" srcset=\"https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/Palme-CM-1024x1002.jpg 1024w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/Palme-CM-300x294.jpg 300w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/Palme-CM-150x147.jpg 150w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/Palme-CM-768x752.jpg 768w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/Palme-CM.jpg 1267w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Prix de la s\u00e9lection Officielle Un Certain Regard<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<p class=\"has-medium-font-size wp-block-paragraph\">Prix Un Certain Regard<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/cinephilecannes.fr\/Blog\/2026\/05\/18\/everytime-de-sandra-wollner\/\">Everytime<\/a>&nbsp;de Sandra Wollner<\/li>\n<\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:30%\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/UCR-1024x682.jpg\" alt=\"\" class=\"wp-image-674\" srcset=\"https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/UCR-1024x682.jpg 1024w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/UCR-300x200.jpg 300w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/UCR-150x100.jpg 150w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/UCR-768x512.jpg 768w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/UCR-1536x1024.jpg 1536w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/UCR.jpg 1949w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Prix du Jury<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/cinephilecannes.fr\/Blog\/2026\/05\/20\/les-elephants-dans-la-brume-de-abinash-bikram-shah\/\">Les \u00c9l\u00e9phants dans la Brume&nbsp;<\/a>de Abinash Bikram Shah<\/li>\n<\/ul>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Prix sp\u00e9cial du Jury<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/cinephilecannes.fr\/Blog\/2026\/05\/19\/le-corset-iron-boy-de-louis-clichy\/\">Le Corset&nbsp;\/ Iron Boy<\/a> de Louis Clichy<\/li>\n<\/ul>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Meilleur Acteur<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Bradley Fiomona Dembeasset dans&nbsp;<a href=\"https:\/\/nokia-my.sharepoint.com\/personal\/sebastien_bigo_nokia-bell-labs_com\/Documents\/Fichiers%2026\/perso\/Cinema\/Congo%20Boy%20de%20Rafiki%20Fariala\">Congo Boy<\/a> de Rafiki Fariala<\/li>\n<\/ul>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">&nbsp;Meilleure(s) Actrice(s)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Marina De Tavira, Daniela Mar\u00edn Navarro, Mariangel Villegas dans <a href=\"https:\/\/cinephilecannes.fr\/Blog\/2026\/05\/16\/siempre-soy-tu-animal-materno-ton-animal-maternel-de-valentina-maurel\/\">Siempre Soy Tu Animal Materno \/ Ton Animal Maternel<\/a> de Valentina Maurel<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Prix de la Semaine de la Critique<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Prix remis par le jury de la Semaine de la Critique&nbsp;:<\/h3>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<p class=\"has-medium-font-size wp-block-paragraph\">Grand Prix AMI Paris<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/cinephilecannes.fr\/Blog\/2026\/05\/17\/la-gradiva-de-marine-atlan\/\">La Gradiva<\/a> de Marine Atlan<\/li>\n<\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:30%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"927\" src=\"https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/SIC.jpg\" alt=\"\" class=\"wp-image-675\" srcset=\"https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/SIC.jpg 1024w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/SIC-300x272.jpg 300w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/SIC-150x136.jpg 150w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/SIC-768x695.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Prix Fondation Louis Roederer de la R\u00e9v\u00e9lation<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/cinephilecannes.fr\/Blog\/2026\/05\/14\/viva-alive-de-aina-clotet\/\">Viva \/ Alive<\/a> de Aina Clotet<\/li>\n<\/ul>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Prix D\u00e9couverte Sony du court m\u00e9trage<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Skinny Bottines<\/em> \/ <em>Skinny Boots<\/em> de\u00a0Romain F. Dubois<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Prix remis par les partenaires de la Semaine de la Critique<\/h3>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Prix Fondation Gan \u00e0 la Diffusion<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Pyramide Distribution pour <em>Wu Ming N\u00fc Hai\u00a0(A Girl Unknown \/ La Deuxi\u00e8me Fille)\u00a0<\/em>de\u00a0Zou Jing<\/li>\n<\/ul>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Prix SACD<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Blerta Basholli &amp; Nicole Borgeat,\u00a0auteurs de\u00a0<a href=\"https:\/\/cinephilecannes.fr\/Blog\/2026\/05\/14\/dua-de-blerta-basholli\/\">Dua<\/a><\/li>\n<\/ul>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Prix Canal+ du court m\u00e9trage<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u201eVaterland\u201c Oder Ein Bule Namens Yanto\u00a0<em>(\u00ab\u00a0Vaterland\u00a0\u00bb Or A Bule Named Yanto) d<\/em>e\u00a0Berthold Wahjudi.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Prix d\u00e9cern\u00e9s aux films de la Quinzaine des R\u00e9alisateurs<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Longs m\u00e9trages<\/h3>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<p class=\"has-medium-font-size wp-block-paragraph\">Coup de Coeur des auteurs  SACD<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Shana\u00a0<\/em>de Lila Pinell.<\/li>\n<\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:30%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/logo_quinzaine_fr_rvb-1024x576.jpg\" alt=\"\" class=\"wp-image-677\" srcset=\"https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/logo_quinzaine_fr_rvb-1024x576.jpg 1024w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/logo_quinzaine_fr_rvb-300x169.jpg 300w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/logo_quinzaine_fr_rvb-150x84.jpg 150w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/logo_quinzaine_fr_rvb-768x432.jpg 768w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/logo_quinzaine_fr_rvb-1536x864.jpg 1536w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/logo_quinzaine_fr_rvb-2048x1152.jpg 2048w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2024\/05\/logo_quinzaine_fr_rvb-800x450.jpg 800w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Prix Label Europa Cinemas<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>L\u2019Esp\u00e8ce Explosive<\/em>\u00a0de Sarah Arnold<\/li>\n<\/ul>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Prix du Public, <br>(\u00e0 partir des \u00e9valuations des spectateurs en sortie de s\u00e9ance) :<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Je Vois Des Immeubles Tomber Comme la Foudre<\/em> de Clio Barnar<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Prix destin\u00e9s aux films de toutes les s\u00e9lections :<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<p class=\"has-medium-font-size wp-block-paragraph\">Cam\u00e9ra d&rsquo;Or (attribu\u00e9e \u00e0 un premier film)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/cinephilecannes.fr\/Blog\/2026\/05\/19\/benimana-de-marie-clementine-dusabejambo\/\">Ben\u2019imana<\/a>\u00a0de Marie-Cl\u00e9mentine Dusabejambo<\/li>\n<\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:30%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"799\" src=\"https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2025\/05\/Camera-d_Or-1.jpg\" alt=\"\" class=\"wp-image-1062\" srcset=\"https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2025\/05\/Camera-d_Or-1.jpg 1000w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2025\/05\/Camera-d_Or-1-300x240.jpg 300w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2025\/05\/Camera-d_Or-1-150x120.jpg 150w, https:\/\/cinephilecannes.fr\/Blog\/wp-content\/uploads\/2025\/05\/Camera-d_Or-1-768x614.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:20%\"><\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Prix du Jury \u0153cum\u00e9nique<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/cinephilecannes.fr\/Blog\/2026\/05\/24\/fjord-de-cristian-mungiu\/\">Fjord<\/a> de Cristian Mungiu<\/li>\n<\/ul>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Prix Fran\u00e7ois Chalais<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/cinephilecannes.fr\/Blog\/2026\/05\/24\/fjord-de-cristian-mungiu\/\">Fjord<\/a> de Cristian Mungiu<\/li>\n<\/ul>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Prix Fipresci de la critique internationale :<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">* parmi les films en comp\u00e9tition officielle<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/cinephilecannes.fr\/Blog\/2026\/05\/24\/fjord-de-cristian-mungiu\/\">Fjord<\/a> de Cristian Mungiu<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">* parmi les films de la s\u00e9lection Un Certain Regard<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/cinephilecannes.fr\/Blog\/2026\/05\/19\/benimana-de-marie-clementine-dusabejambo\/\">Ben\u2019imana<\/a>\u00a0de Marie-Cl\u00e9mentine Dusabejambo<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">* parmi les sections parall\u00e8les<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Wu Ming N\u00fc Hai\u00a0(A Girl Unknown \/ La Deuxi\u00e8me Fille)\u00a0<\/em>de\u00a0Zou Jing<\/li>\n<\/ul>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Queer Palm du long m\u00e9trage<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Teenage Sex and Death at Camp Miasma<\/em> de Jane Schoenbrun<\/li>\n<\/ul>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Queer Palm D\u00e9couverte<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Du Fioul Dans Les Art\u00e8res<\/em> de Pierre Le Gall<\/li>\n<\/ul>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Queer Palm du court m\u00e9trage<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Silent Voices<\/em> de Nadine Misong Jin<\/li>\n<\/ul>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Prix Ecoprod pour la production la plus \u00e9cosresponsable<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Soudain<\/em>\u00a0des\u00a0Ry\u016bsuke\u00a0Hamaguchi<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Mention sp\u00e9ciale du jury du prix Ecoprod<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/cinephilecannes.fr\/Blog\/2026\/05\/24\/notre-salut-a-man-of-his-time-de-emmanuel-marre\/\">Notre Salut \/ A Man of His Time<\/a>&nbsp;de Emmanuel Marre<\/li>\n<\/ul>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Palm Dog<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Yuri, le chiot dans <em>La Chienne<\/em> de Dominga Sotomayor<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Mention sp\u00e9ciale du jury de la Palm Dog <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Lola, dans<em>\u00a0I See Buildings Fall Like Lightning<\/em>\u00a0\/ <em>Je Vois Des Immeubles Tomber Comme la Foudre<\/em> de\u00a0Clio Barnard<\/li>\n<\/ul>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">\u0152il d&rsquo;Or, r\u00e9compensant le meilleur documentaire<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Rehearsals for a Revolution<\/em> de Pegah Ahangarani<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Mention sp\u00e9ciale \u0152il d&rsquo;Or<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Tin Castle\u00a0<\/em>d\u2019Alexander Murphy<\/li>\n<\/ul>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Prix de la meilleure Cr\u00e9ation Sonore<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/cinephilecannes.fr\/Blog\/2026\/05\/20\/les-elephants-dans-la-brume-de-abinash-bikram-shah\/\">Les \u00c9l\u00e9phants dans la Brume\u00a0<\/a>de Abinash Bikram Shah<\/li>\n<\/ul>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Prix de la Meilleure \u0152uvre Immersive<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Kat\u00e0basis<\/em> de Ugo Arsac<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Mention sp\u00e9ciale du Prix de la Meilleure \u0152uvre Immersive<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>The Black Mirror Experience <\/em>de David Bardos et Dami\u00e0 Ferr\u00e0ndiz<\/li>\n<\/ul>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">S\u00e9lection de la CINEF<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Premier Prix<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Laser-Gato \/ Laser-Cat <\/em>de Lucas Acher, NYU, Etats-Unis<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Deuxi\u00e8me Prix<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Silent Voices<\/em> de Nadine Misong Jin, Columbia University, \u00c9tats-Unis<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Troisi\u00e8me Prix (ex-\u00e6quo)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Aldrig Nok \/ Jamais Assez<\/em> de Julius Lagoutte Larsen, La F\u00e9mis, France<\/li>\n\n\n\n<li><em>Growing Stones, Flying Papers<\/em> de Roozbeh Gezerseh &amp; Soraya Shamsi, Filmuniversit\u00e4t Babelsberg Konrad Wolf, Allemagne<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Prix de la S\u00e9lection Officielle en comp\u00e9tition Longs m\u00e9trages Palme d&rsquo;Or Grand Prix Prix de la Mise en sc\u00e8ne (ex-aequo) Prix du Sc\u00e9nario Prix du Jury Prix d\u2019Interpr\u00e9tation F\u00e9minine Prix d\u2019interpr\u00e9tation Masculine Prix des Cin\u00e9mas Art et Essai (AFCAE) Prix de la Citoyennet\u00e9 Prix du Cin\u00e9ma Positif Prix CST de la Jeune Technicienne de Cin\u00e9ma [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":683,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"on","ocean_gallery_id":[],"footnotes":""},"categories":[18,15,24,12,13,21,16,17],"tags":[],"class_list":["post-1386","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-acid-films","category-un-certain-regard-films","category-competition-officielle","category-courts-metrages","category-films","category-selection-officielle-hors-competition","category-quinzaine-des-cineastes-films","category-semaine-de-la-critique-films","entry","has-media"],"_links":{"self":[{"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/posts\/1386","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/comments?post=1386"}],"version-history":[{"count":5,"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/posts\/1386\/revisions"}],"predecessor-version":[{"id":1395,"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/posts\/1386\/revisions\/1395"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/media\/683"}],"wp:attachment":[{"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/media?parent=1386"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/categories?post=1386"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/tags?post=1386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