{"id":12,"date":"2023-12-26T19:05:43","date_gmt":"2023-12-26T18:05:43","guid":{"rendered":"https:\/\/cinephilecannes.fr\/Blog\/?p=12"},"modified":"2024-05-01T22:57:47","modified_gmt":"2024-05-01T20:57:47","slug":"tous-les-prix-de-cannes2023-les-officiels-et-les-non-officiels","status":"publish","type":"post","link":"https:\/\/cinephilecannes.fr\/Blog\/2023\/12\/26\/tous-les-prix-de-cannes2023-les-officiels-et-les-non-officiels\/","title":{"rendered":"Tous les prix de #Cannes2023, les officiels et les non-officiels"},"content":{"rendered":"\n

Prix de la s\u00e9lection officielle en comp\u00e9tition<\/p>\n\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

Longs m\u00e9trages<\/strong>
<\/a>
Palme d’Or
Anatomie d’une Chute<\/a> de Justine Triet<\/p>\n\n\n\n

Grand Prix
The Zone Of Interest<\/a> de Jonathan Glazer<\/p>\n\n\n\n

Prix de la Mise en Sc\u00e8ne
Tran Anh Hung pour La passion de Dodin Bouffant<\/p>\n\n\n\n

Prix du Jury
Kuolleet Lehdet \/ Les Feuilles Mortes<\/a> de Aki Kaurismaki<\/p>\n\n\n\n

Prix du Sc\u00e9nario
Sakamoto Yuji pour Kaibutsu \/ Monster<\/a> de Kore-Eda Hirokazu<\/p>\n\n\n\n

Prix d’Interpr\u00e9tation f\u00e9minine
Merve Dizdar dans Kuru Otlar Ustune \/ Les Herbes S\u00e8ches de Nuri Bilge Ceylan<\/p>\n\n\n\n

Prix d’Interpr\u00e9tation masculine
Koji Yakusho dans Perfect Days de Wim Wenders<\/p>\n\n\n\n

Prix des Cin\u00e9mas Art et Essai (AFCAE)
La Chim\u00e8re d’Alice Rohrwacher<\/p>\n\n\n\n

Mention sp\u00e9ciale AFCAE
Kuolleet Lehdet \/ Les Feuilles Mortes<\/a> de Aki Kaurismaki<\/p>\n\n\n\n

Prix de la Citoyennet\u00e9
Les Filles d’Olfa<\/a> de Kaouther Ben Hania<\/p>\n\n\n\n

Mention sp\u00e9ciale Prix de la Citoyennet\u00e9
Jeunesse de Wang Bing<\/p>\n\n\n\n

Prix du Cin\u00e9ma Positif
Les Filles d’Olfa<\/a> de Kaouther Ben Hania<\/p>\n\n\n\n

Prix CST de la Jeune Technicienne de Cin\u00e9ma
Anne-Sophie Delseries, cheffe d\u00e9coratrice du film Le Th\u00e9or\u00e8me de Marguerite de Anna Novion (s\u00e9lection officielle hors comp\u00e9tition)<\/p>\n\n\n\n

Prix CST de l’artiste-technicien
Johnnie Burn, Sound Designer et Chef monteur son du film The Zone Of Interest<\/a> de Jonathan Glazer<\/p>\n\n\n\n

Prix Cannes Soundrack de la meilleure musique originale,
Mica Levi pour la musique du film The Zone Of Interest<\/a> de Jonathan Glazer<\/p>\n\n\n\n

<\/a><\/p>\n\n\n\n

Courts m\u00e9trages<\/strong><\/p>\n\n\n\n

Palme d’Or du court m\u00e9trage
27<\/a> de Fl\u00f3ra Anna Buda<\/p>\n\n\n\n

Mention sp\u00e9ciale
F\u00e1r<\/a> r\u00e9alis\u00e9 par Gunnur Martinsd\u00f3ttir Schl\u00fcter<\/p>\n\n\n\n

Prix de la s\u00e9lection Un Certain Regard<\/p>\n\n\n\n

<\/a>Prix Un Certain Regard
How To Have Sex<\/a> de Molly Manning Walker<\/p>\n\n\n\n

Prix du Jury – Un Certain Regard
Les Meutes<\/a> de Kamal Lazraq<\/p>\n\n\n\n

Prix de la Mise en Sc\u00e8ne – Un Certain Regard
Asmae El Moudir pour Kadib Abyad \/ La M\u00e8re De Tous Les Mensonges<\/p>\n\n\n\n

Prix de la Nouvelle Voix – Un Certain Regard, ex-\u00e6quo<\/em>
Augure<\/a> de Baloji<\/p>\n\n\n\n

Prix d’ensemble – Un Certain Regard
Crowr\u00e3 \/ La Fleur de Buriti<\/a> de Jo\u00e3o Salaviza, Ren\u00e9e Nader Messora<\/p>\n\n\n\n

Prix de la Libert\u00e9 – Un Certain Regard
Goodbye Julia<\/a> de Mohamed Kordofani<\/p>\n\n\n\n

Prix de la Semaine de la Critique
<\/a>
Longs m\u00e9trages<\/strong><\/p>\n\n\n\n

Grand Prix
Tiger stripes<\/a> de Amanda Nell Eu<\/p>\n\n\n\n

Prix French Touch du jury
Il Pleut dans la Maison \/ It’s Raining in the House<\/a> de Paloma Sermon-Da\u00ef<\/p>\n\n\n\n

Prix Fondation Louis Roederer de la R\u00e9v\u00e9lation
Jovan Gini\u0107 pour son r\u00f4le dans Lost Country<\/a> de Vladimir Peri\u0161i\u0107<\/p>\n\n\n\n

Prix SACD
Le Ravissement \/ The Rapture<\/a> de Iris Kaltenb\u00e4ck

Prix Fondation Gan \u00e0 la Diffusion
Inshallah a boy \/ Inchallah un fils<\/a> de Amjad Al Rasheed<\/p>\n\n\n\n

Courts m\u00e9trages<\/strong><\/p>\n\n\n\n

Prix D\u00e9couverte Leitz Cine du court m\u00e9trage
Bol\u00e9ro<\/a> de Nan Laborde-Jourd\u00e0a<\/p>\n\n\n\n

Prix Canal + du court m\u00e9trage
Bol\u00e9ro<\/a> de Nan Laborde-Jourd\u00e0a<\/p>\n\n\n\n

<\/a>
Prix d\u00e9cern\u00e9s aux films de la Quinzaine des R\u00e9alisateurs<\/p>\n\n\n\n

Longs m\u00e9trages<\/strong><\/p>\n\n\n\n

Prix SACD
Un Prince de Pierre Creton<\/p>\n\n\n\n

Prix Label Europa Cinemas
Creatura d’Elena Martin Gimeno<\/p>\n\n\n\n

Prix destin\u00e9s aux films de toutes les s\u00e9lections :<\/p>\n\n\n\n

<\/a>Cam\u00e9ra d’Or (attribu\u00e9e \u00e0 un premier film)
B\u00ean Trong Vo Ken Vang \/ L’arbre Aux Papillons D’or de Thien An Pham<\/p>\n\n\n\n

Prix du Jury \u0153cum\u00e9nique
Perfect days de Wim Wenders<\/p>\n\n\n\n

Mention sp\u00e9ciale du Jury \u0153cum\u00e9nique
The Old Oak<\/a> de Ken Loach<\/p>\n\n\n\n

Prix Fran\u00e7ois Chalais
Les Filles d’Olfa<\/a> de Kaouther Ben Hania<\/p>\n\n\n\n

Prix Fipresci de la critique internationale :<\/p>\n\n\n\n

* parmi les films en comp\u00e9tition officielle
The Zone Of Interest<\/a> de Jonathan Glazer<\/p>\n\n\n\n

* parmi les films de la s\u00e9lection Un Certain Regard
Los Colonos \/ Les Colons<\/a> de Felipe G\u00e1lvez<\/p>\n\n\n\n

* parmi les sections parall\u00e8les
Levante \/ Power Alley<\/a> de Lillah Halla<\/p>\n\n\n\n

Queer Palm du long m\u00e9trage
Kaibutsu \/ Monster<\/a> de Kore-Eda Hirokazu<\/p>\n\n\n\n

Queer Palm du court m\u00e9trage
Bol\u00e9ro<\/a> de Nan Laborde-Jourd\u00e0a<\/p>\n\n\n\n

Oeil d’Or, r\u00e9composant le meilleur documentaire, ex aequo<\/em><\/p>\n\n\n\n

Les Filles d’Olfa<\/a> de Kaouther Ben Hania
Kadib Abyad \/ La M\u00e8re De Tous Les Mensonges de Asmae El Moudir<\/p>\n\n\n\n

Palm Dog
le chien Snoop dans Anatomie d’une Chute<\/a> de Justine Triet<\/p>\n\n\n\n

Grand Prix du Jury
le chien Bijou dans Kuolleet Lehdet \/ Les Feuilles Mortes<\/a> de Aki Kaurismaki<\/p>\n\n\n\n

Prix de l’incroyable performance :
le chien Sultan dans Vincent doit mourir de Stephan Castang<\/p>\n\n\n\n

Palme Dog d’honneur
le chien sans nom connu dans The Old Oak<\/a> de Ken Loach<\/p>\n\n\n\n

S\u00e9lection de la CINEF<\/strong><\/p>\n\n\n\n

Premier prix :
Norwegian Offspring<\/a> de Marlene Emilie Lyngstad<\/p>\n\n\n\n

Deuxi\u00e8me prix
Hole<\/a> de Hwang Hyein<\/p>\n\n\n\n

Troisi\u00e8me prix :
Ayyur \/ Lune<\/a> de Zineb Wakrim<\/p>\n\n\n\n

<\/figure>
\n

<\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Prix de la s\u00e9lection officielle en comp\u00e9tition Longs m\u00e9tragesPalme d’OrAnatomie d’une Chute de Justine Triet Grand PrixThe Zone Of Interest de Jonathan Glazer Prix de la Mise en Sc\u00e8neTran Anh Hung pour La passion de Dodin Bouffant Prix du JuryKuolleet Lehdet \/ Les Feuilles Mortes de Aki Kaurismaki Prix du Sc\u00e9narioSakamoto Yuji pour Kaibutsu \/ […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"on","ocean_gallery_id":[],"footnotes":""},"categories":[18,15,24,21,16,17],"tags":[],"class_list":["post-12","post","type-post","status-publish","format-standard","hentry","category-acid-films","category-un-certain-regard-films","category-competition-officielle","category-selection-officielle-hors-competition","category-quinzaine-des-cineastes-films","category-semaine-de-la-critique-films","entry"],"_links":{"self":[{"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/posts\/12","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/comments?post=12"}],"version-history":[{"count":1,"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/posts\/12\/revisions"}],"predecessor-version":[{"id":17,"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/posts\/12\/revisions\/17"}],"wp:attachment":[{"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/media?parent=12"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/categories?post=12"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinephilecannes.fr\/Blog\/wp-json\/wp\/v2\/tags?post=12"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}