S\u00e9lection Officielle en Comp\u00e9tition<\/p>\n\n\n\n
Vu le 13 mai \u00e0 15h00<\/p>\n\n\n\n
Pays d’origine du r\u00e9alisateur : Japon<\/p>\n\n\n\n
Dur\u00e9e = 1h50<\/p>\n\n\n\n
Avec Takako Matsu, Kenichi Matsuyama, Shizuka Ishibashi, Kawaguchi Waku, Kiyora<\/p>\n\n\n\n
Fujiwara, Sawako Fujima, Ron Mizuma, Shin Seo-gye<\/p>\n\n\n\n
Le film se d\u00e9roule dans la campagne de Nagi, territoire paisible travers\u00e9 pourtant par les d\u00e9tonations sourdes provenant d\u2019une base militaire voisine. Yuri, architecte tokyo\u00efte r\u00e9cemment divorc\u00e9e, vient s\u00e9journer chez Yoriko, son ancienne belle-s\u0153ur devenue sculptrice. Ancienne mod\u00e8le, elle accepte de poser pour elle, et ce qui devait \u00eatre une simple parenth\u00e8se loin de la capitale prend progressivement la forme d\u2019une retraite int\u00e9rieure.<\/p>\n\n\n\n
Au fil des s\u00e9ances de pose, les silences r\u00e9veillent des souvenirs enfouis et font rena\u00eetre entre les deux femmes une intimit\u00e9 ancienne, longtemps rest\u00e9e inexprim\u00e9e. Port\u00e9e par une empathie discr\u00e8te, Yuri devient peu \u00e0 peu la confidente involontaire des habitants du village, recueillant les blessures, frustrations et non-dits qui traversent cette petite communaut\u00e9 rurale. En parall\u00e8le, le film suit l\u2019histoire plus fragile d\u2019un adolescent, fils d\u2019un ami de Yoriko, incapable de formuler le trouble qu\u2019il ressent pour un gar\u00e7on solitaire nomm\u00e9 Keita.<\/p>\n\n\n\n
Fukada tisse ainsi un r\u00e9cit d\u00e9licat autour des \u00e9motions emp\u00each\u00e9es, des d\u00e9sirs contenus et des identit\u00e9s qui peinent \u00e0 trouver leur place dans un cadre social domin\u00e9 par des normes masculines rigides. J\u2019ai trouv\u00e9 particuli\u00e8rement ing\u00e9nieux de retenir la cr\u00e9ation du portrait sculpt\u00e9 comme fil rouge du r\u00e9cit: couches successives, retouches, reprises, effacements. Le travail artistique devient alors une m\u00e9taphore \u00e9vidente des relations humaines et du lent processus de d\u00e9voilement intime. Comme dans<\/p>\n\n\n\n
Fuchi Mi Tatsu Fukada Koji filme avec une sobri\u00e9t\u00e9 tr\u00e8s japonaise les sentiments tus, les fissures et tout ce que les personnages n\u2019arrivent pas \u00e0 dire. Son parti pris m\u00e9lancolique freine l\u2019ardeur des \u00e9motions qui marquent la m\u00e9moire des spectateurs. Mais j\u2019ai tout de m\u00eame pass\u00e9 un excellent moment.<\/p>\n\n\n\n
Ma note =16\/20<\/p>\n\n\n\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
S\u00e9lection Officielle en Comp\u00e9tition Vu le 13 mai \u00e0 15h00 Pays d’origine du r\u00e9alisateur : Japon Dur\u00e9e = 1h50 Avec Takako Matsu, Kenichi Matsuyama, Shizuka Ishibashi, Kawaguchi Waku, Kiyora Fujiwara, Sawako Fujima, Ron Mizuma, Shin Seo-gye Le film se d\u00e9roule dans la campagne de Nagi, territoire paisible travers\u00e9 pourtant par les d\u00e9tonations sourdes provenant d\u2019une 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